Theatre
EXPERTS
- Adjunct Faculty
- Theatre
- Adjunct FacultyTheatre
J "Bryson" Baker is a Stillwater native, entrepreneur, and has been associated with the Oklahoma State University Theatre Department since 2004. Bryson received a Liberal Studies degree from Oklahoma State and went on to receive his Honors Degree in Fine Arts specializing in Acting. In 2011 he graduated with his Master's Degree in Acting. Bryson has performed on stage at Oklahoma State University and worked on several regional films. His favorite roles include "Eddie" in Fool for Love, "Jody" in Lonely Planet, & "Satan" in The Last Days of Judas Iscariot. Bryson stopped auditioning in 2014 when he founded his first company EVERYMAN but plans to make a return to more active auditioning soon.
From 2011-2015 Bryson founded and developed the OrangeTech concept inside the University Store at the Student Union. Bryson created a nationally recognized brand amoung college retailers and was a frequent guest speaker at collegiant retail conferences. He was a selection to the National Association of College Stores' first Leadership Institute and would later go on to be a facilitator for the Institute.
For 10 years Bryson built EVERYMAN into the premier destination in Stillwater for Barbering & Menswear. In 2022 he began a multi-million dollar renovation and expansion project in Downtown Stillwater. That iteration of EVERYMAN would eventually open in 2023 but go sour because of a failed partnership and closed as of October 2024. Bryson continues to stoke the entreprenuerial flame with other projects in early development.
Bryson has continued to serve on faculty throughout his business adventures. He teaches a lively course titled "Introduction to Staged Entertainment" as well as "Fundamentals of Acting" with a focus on non-majors. He is passionate about Theatre and believes the study of the theatrical arts, in particular acting, can inarguably benefit any dicipline. Bryson is also a vocal ally in the world of foster care, adoption, and youth mentorship.. He and his wife has fostered several children and have adopted two of their own, Briarlynn & Annson.
AWARDS & RECOGNITION:
- (ACTING) Irene Ryan Nominee - "Jody" in Lonely Planet
- (ACTING) Thad Scott Scholarship - "Satan" in The Last Days of Judas Iscariot Chamber Choice Award Winner
- (VOLUNTEER) Big Brother of the Year
- (ORANGETECH) Leadership Institute Selection
- (EVERYMAN) "Chamber Choice Award 2017"
- (EVERYMAN) "Business of the Month" April 2019
- (EVERYMAN) "Business of the Month" December 2023
COMMITTEE, SERVICE & ADVISING:
- (ORANGE TECH) Leadership Institute Facilitator - National Associate of College Stores
- (ORANGE TECH + OSU) Host of first TEDx OSU
- (OSU) The Dean's Building Leaders Initiative - Panelist (April 2024)
- (EVERYMAN + OSU) Riata Entrepreneurial Internship Host Company
J "Bryson" Baker is a Stillwater native, entrepreneur, and has been associated with the Oklahoma State University Theatre Department since 2004. Bryson received a Liberal Studies degree from Oklahoma State and went on to receive his Honors Degree in Fine Arts specializing in Acting. In 2011 he graduated with his Master's Degree in Acting. Bryson has performed on stage at Oklahoma State University and worked on several regional films. His favorite roles include "Eddie" in Fool for Love, "Jody" in Lonely Planet, & "Satan" in The Last Days of Judas Iscariot. Bryson stopped auditioning in 2014 when he founded his first company EVERYMAN but plans to make a return to more active auditioning soon.
From 2011-2015 Bryson founded and developed the OrangeTech concept inside the University Store at the Student Union. Bryson created a nationally recognized brand amoung college retailers and was a frequent guest speaker at collegiant retail conferences. He was a selection to the National Association of College Stores' first Leadership Institute and would later go on to be a facilitator for the Institute.
For 10 years Bryson built EVERYMAN into the premier destination in Stillwater for Barbering & Menswear. In 2022 he began a multi-million dollar renovation and expansion project in Downtown Stillwater. That iteration of EVERYMAN would eventually open in 2023 but go sour because of a failed partnership and closed as of October 2024. Bryson continues to stoke the entreprenuerial flame with other projects in early development.
Bryson has continued to serve on faculty throughout his business adventures. He teaches a lively course titled "Introduction to Staged Entertainment" as well as "Fundamentals of Acting" with a focus on non-majors. He is passionate about Theatre and believes the study of the theatrical arts, in particular acting, can inarguably benefit any dicipline. Bryson is also a vocal ally in the world of foster care, adoption, and youth mentorship.. He and his wife has fostered several children and have adopted two of their own, Briarlynn & Annson.
AWARDS & RECOGNITION:
- (ACTING) Irene Ryan Nominee - "Jody" in Lonely Planet
- (ACTING) Thad Scott Scholarship - "Satan" in The Last Days of Judas Iscariot Chamber Choice Award Winner
- (VOLUNTEER) Big Brother of the Year
- (ORANGETECH) Leadership Institute Selection
- (EVERYMAN) "Chamber Choice Award 2017"
- (EVERYMAN) "Business of the Month" April 2019
- (EVERYMAN) "Business of the Month" December 2023
COMMITTEE, SERVICE & ADVISING:
- (ORANGE TECH) Leadership Institute Facilitator - National Associate of College Stores
- (ORANGE TECH + OSU) Host of first TEDx OSU
- (OSU) The Dean's Building Leaders Initiative - Panelist (April 2024)
- (EVERYMAN + OSU) Riata Entrepreneurial Internship Host Company
- Faculty/Staff
- Oklahoma State University - Stillwater
- Collaborative projects
- Membership of an advisory committee
- Speaking engagements
- Teaching opportunities
- English
- Theatre
Fields of Research- Drama, theatre and performance studies
- Small business organisation and management
- Visiting Assistant Professor of Costume Production
- Theatre
- Visiting Assistant Professor of Costume ProductionTheatre
- Faculty/Staff
- Oklahoma State University - Stillwater
- Theatre
- Visiting Assistant Professor
- Theatre
- Visiting Assistant ProfessorTheatre
Lyndsee Bell is a passionate actor, singer, and educator in Theater Arts, currently serving as a Professor of Musical Theatre Voice at Oklahoma State University. She holds a Master of Fine Arts in Musical Theater Vocal Pedagogy from Boston Conservatory at Berklee and a Bachelor of Arts in Theater Arts with an emphasis in Acting Performance from San Francisco State University. At OSU, Lyndsee teaches Voice for the Actor, Musical Theatre Vocal Styles, and co-teaches Acting for Musical Theatre, alongside mentoring a vibrant studio of Musical Theatre and Industry majors.
With nearly a decade of experience in the California Bay Area theater community, Lyndsee has made significant contributions both on stage and as an educator. Notable performance credits include The Doctor in Vinegar Tom by Caryl Churchill (Shotgun Players), Fiona in Shrek the Musical (Pied Piper Players Theatre), Olga in Three Sisters by Anton Chekhov (The Exit Theater), and Pennywise in Urinetown the Musical (San Francisco State University).
Lyndsee’s teaching career began during her undergraduate studies, where she first coached dancers vocally for department musicals in exchange for dance training. She has since worked as a Teaching Artist and Program Director at Pied Piper Players Theatre, a guest artist for the 2017 California State University Summer Arts Program, and as a graduate instructor for Boston Conservatory’s Voice for Non-Majors course. At Oklahoma State University, she continues to build a strong foundation for students, with a focus on integrating vocal technique with performance skills, while also fostering interdisciplinary collaboration with colleagues in the Music and Theatre Schools.
She currently serves as the Director of Communications for NATS-Boston (National Association of Teachers of Singing), where she plays an integral role in managing chapter communications and coordinating events. In 2024, she presented her research titled "The Effects of Pelvic Floor Related Cues on the Experienced Ease of Singing" at The Voice Foundation Symposium.
Lyndsee’s teaching philosophy blends technical mastery with artistic storytelling. Through the integration of diverse acting methodologies, contemporary vocal techniques, and evidence-based pedagogy, she empowers students to cultivate their voices and deliver authentic, compelling performances. Her approach combines bodywork, acting, and vocal technique, equipping students with the tools to excel both in their training and on stage.
Lyndsee Bell is a passionate actor, singer, and educator in Theater Arts, currently serving as a Professor of Musical Theatre Voice at Oklahoma State University. She holds a Master of Fine Arts in Musical Theater Vocal Pedagogy from Boston Conservatory at Berklee and a Bachelor of Arts in Theater Arts with an emphasis in Acting Performance from San Francisco State University. At OSU, Lyndsee teaches Voice for the Actor, Musical Theatre Vocal Styles, and co-teaches Acting for Musical Theatre, alongside mentoring a vibrant studio of Musical Theatre and Industry majors.
With nearly a decade of experience in the California Bay Area theater community, Lyndsee has made significant contributions both on stage and as an educator. Notable performance credits include The Doctor in Vinegar Tom by Caryl Churchill (Shotgun Players), Fiona in Shrek the Musical (Pied Piper Players Theatre), Olga in Three Sisters by Anton Chekhov (The Exit Theater), and Pennywise in Urinetown the Musical (San Francisco State University).
Lyndsee’s teaching career began during her undergraduate studies, where she first coached dancers vocally for department musicals in exchange for dance training. She has since worked as a Teaching Artist and Program Director at Pied Piper Players Theatre, a guest artist for the 2017 California State University Summer Arts Program, and as a graduate instructor for Boston Conservatory’s Voice for Non-Majors course. At Oklahoma State University, she continues to build a strong foundation for students, with a focus on integrating vocal technique with performance skills, while also fostering interdisciplinary collaboration with colleagues in the Music and Theatre Schools.
She currently serves as the Director of Communications for NATS-Boston (National Association of Teachers of Singing), where she plays an integral role in managing chapter communications and coordinating events. In 2024, she presented her research titled "The Effects of Pelvic Floor Related Cues on the Experienced Ease of Singing" at The Voice Foundation Symposium.
Lyndsee’s teaching philosophy blends technical mastery with artistic storytelling. Through the integration of diverse acting methodologies, contemporary vocal techniques, and evidence-based pedagogy, she empowers students to cultivate their voices and deliver authentic, compelling performances. Her approach combines bodywork, acting, and vocal technique, equipping students with the tools to excel both in their training and on stage.
- Faculty/Staff
- Oklahoma State University - Stillwater
- Theatre
- Professor
- Theatre
- ProfessorTheatre
Lee Brasuell is a Professor of Design and Head of the Department of Theatre at Oklahoma State University. In 2016, he was named an Oklahoma DaVinci Fellow by the DaVinci Institute, and in July of 2017, received the Mary Lou Lemon endowed Professorship for Underrepresented Voices. During his time at OSU, Lee has served as the Technical Director and Production Manager for over 50 productions. Design credits at OSU include aerial rigging design for Oklahoma Voices, Xanadu, and Shipwrecked: scenic design for Betrayal, Eurydice, and The Birds: lighting design for Almost Maine, The Importance of Being Earnest, and Argonautica: and sound design for Oklahoma Voices, Beyond Therapy, Tartuffe, As you Like it, The 39 Steps, Blithe Spirit, Almost Maine, Spelling Bee, The Call, The Importance of Being Earnest, The Spitfire Grill, Comedy of Errors, and She Loves Me, Doubt, True West, Oklahoma, Steel Magnolias, Stop Kiss, War of The Worlds, and Charlottes Web. During his tenure at OSU, he worked with mathematician Henry Segerman on the creation and production of a new circus apparatus and performer called the Tao-Line, which made its debut at the Muse Circus training facility in Brooklyn, New York, in August of 2018. His professional credits include aerial and circus rigging design for the Tony Award-winning Lookingglass Theatre, including Lookingglass Alice, Circus Quixote, Hephaestus, Peter Pan, Fedra, Cascabel featuring Iron Chef Rick Bayless, and The Little Prince. Other Chicago credits include production design for Shear Madness at The Legendary Chicago Theatre, a production artist for Cirque Shanghai's Bai Xi at Chicago's Navy Pier, scenic design for Theatre at the Center's Noises Off, scenic design for Walkabout Theatre's production of An Unembarrassed Mind, and at Moraine Valley Community College, special effects and property design for Evil Dead The Musical plus production design for Machinal, Sexual Perversity in Chicago, and No Exit. Local credits include Head of Special Effects, flying for the Lyric Theatre's productions of Wizard of Oz and When You Wish, and scenic designs for Oklahoma Shakespeare in the Park and Carpenter Square Theatre. He received his MFA in Scene Design & Technical Direction from the Hilberry Theatre at Wayne State University in Detroit, Michigan, and his BA from the University of Central Oklahoma.
Lee Brasuell is a Professor of Design and Head of the Department of Theatre at Oklahoma State University. In 2016, he was named an Oklahoma DaVinci Fellow by the DaVinci Institute, and in July of 2017, received the Mary Lou Lemon endowed Professorship for Underrepresented Voices. During his time at OSU, Lee has served as the Technical Director and Production Manager for over 50 productions. Design credits at OSU include aerial rigging design for Oklahoma Voices, Xanadu, and Shipwrecked: scenic design for Betrayal, Eurydice, and The Birds: lighting design for Almost Maine, The Importance of Being Earnest, and Argonautica: and sound design for Oklahoma Voices, Beyond Therapy, Tartuffe, As you Like it, The 39 Steps, Blithe Spirit, Almost Maine, Spelling Bee, The Call, The Importance of Being Earnest, The Spitfire Grill, Comedy of Errors, and She Loves Me, Doubt, True West, Oklahoma, Steel Magnolias, Stop Kiss, War of The Worlds, and Charlottes Web. During his tenure at OSU, he worked with mathematician Henry Segerman on the creation and production of a new circus apparatus and performer called the Tao-Line, which made its debut at the Muse Circus training facility in Brooklyn, New York, in August of 2018. His professional credits include aerial and circus rigging design for the Tony Award-winning Lookingglass Theatre, including Lookingglass Alice, Circus Quixote, Hephaestus, Peter Pan, Fedra, Cascabel featuring Iron Chef Rick Bayless, and The Little Prince. Other Chicago credits include production design for Shear Madness at The Legendary Chicago Theatre, a production artist for Cirque Shanghai's Bai Xi at Chicago's Navy Pier, scenic design for Theatre at the Center's Noises Off, scenic design for Walkabout Theatre's production of An Unembarrassed Mind, and at Moraine Valley Community College, special effects and property design for Evil Dead The Musical plus production design for Machinal, Sexual Perversity in Chicago, and No Exit. Local credits include Head of Special Effects, flying for the Lyric Theatre's productions of Wizard of Oz and When You Wish, and scenic designs for Oklahoma Shakespeare in the Park and Carpenter Square Theatre. He received his MFA in Scene Design & Technical Direction from the Hilberry Theatre at Wayne State University in Detroit, Michigan, and his BA from the University of Central Oklahoma.
- Faculty/Staff
- Oklahoma State University - Stillwater
- Art, music, or design commissions
- Research design
- Collaborative projects
- Theatre
Fields of Research- Drama, theatre and performance studies
- Design
- Music technology and recording
- Entertainment and gaming
- Fine arts
- Performing arts
- Applied theatre
- Production and operations management
- Assistant Professor of Professional Practice & Costume Lab Manager
- Theatre
- Assistant Professor of Professional Practice & Costume Lab ManagerTheatre
Brian Butler (He,Him,His) is the Assistant Professor of Professional Practice, Costume Lab Manager at Oklahoma State University. Originally from Wylie, Texas. Brian holds a Bachelor of Fine Arts in Costume design and Technology from Stephen F. Austin State University in Nacogdoches, Texas and a M.F.A. in Costume Design and Technology from Purdue University. He has worked in a wide variety of costume and makeup areas including opera, dance, film, musical theatre, historical recreation, millinery, dyeing, draping, leathercrafting, Wig creation, Special FX makeup, and show designs. Brian has worked with many companies and schools including Texas Shakespeare Festival, Summer Rep Theatre, Arkansas Shakespeare Festival, University of Central Oklahoma, Painted Sky Opera, Opera Amici, Nacogdoches Opera Festival, Stratford Circus theatre - UK, South Bend theatre festival-UK, Rose Bruford College in Sidcup Kent UK, Collin College, Collin Theatre Center, Purdue University, Midwestern State University, Stephen F. Austin State University. Brian’s work can be found at https://bbutlerdesigns.wixsite.com/portfolio.
Brian Butler (He,Him,His) is the Assistant Professor of Professional Practice, Costume Lab Manager at Oklahoma State University. Originally from Wylie, Texas. Brian holds a Bachelor of Fine Arts in Costume design and Technology from Stephen F. Austin State University in Nacogdoches, Texas and a M.F.A. in Costume Design and Technology from Purdue University. He has worked in a wide variety of costume and makeup areas including opera, dance, film, musical theatre, historical recreation, millinery, dyeing, draping, leathercrafting, Wig creation, Special FX makeup, and show designs. Brian has worked with many companies and schools including Texas Shakespeare Festival, Summer Rep Theatre, Arkansas Shakespeare Festival, University of Central Oklahoma, Painted Sky Opera, Opera Amici, Nacogdoches Opera Festival, Stratford Circus theatre - UK, South Bend theatre festival-UK, Rose Bruford College in Sidcup Kent UK, Collin College, Collin Theatre Center, Purdue University, Midwestern State University, Stephen F. Austin State University. Brian’s work can be found at https://bbutlerdesigns.wixsite.com/portfolio.
- Faculty/Staff
- Oklahoma State University - Stillwater
- Art, music, or design commissions
- Teaching opportunities
- English
- Theatre
Fields of Research- Drama, theatre and performance studies
- Leadership
- Applied theatre
- Textile and fashion design
- Assistant Professor Of Professional Practice
- Theatre
- Assistant Professor Of Professional PracticeTheatre
Leslie Currell is a Technical Director and Lighting Designer from Oklahoma. She holds a BS in Technical Theatre from Oklahoma City University and an MFA in Technical Direction and Lighting Design from the University of Florida. Currently, she is Assistant Professor of Professional Practice Technical Director and Scene Lab Manager at Oklahoma State University.
Leslie has been working professionally in theatre since 2004, although she has been involved with theatre for most of her life. She has worked with numerous theatre companies, such as Williamstown Theatre Festival in Massachusetts, Sundance Summer Theatre in Utah, Lyric Theatre of Oklahoma, Oklahoma City Philharmonic, Oklahoma City Repertory Theatre, Oklahoma City University, and Oklahoma Shakespeare in the Park.
Leslie is also active with the Oklahoma Community Theatre Association and works with many community theatres throughout the state of Oklahoma serving in the promotion of excellence in theatre.
Website: www.lesliecurrell.comLeslie Currell is a Technical Director and Lighting Designer from Oklahoma. She holds a BS in Technical Theatre from Oklahoma City University and an MFA in Technical Direction and Lighting Design from the University of Florida. Currently, she is Assistant Professor of Professional Practice Technical Director and Scene Lab Manager at Oklahoma State University.
Leslie has been working professionally in theatre since 2004, although she has been involved with theatre for most of her life. She has worked with numerous theatre companies, such as Williamstown Theatre Festival in Massachusetts, Sundance Summer Theatre in Utah, Lyric Theatre of Oklahoma, Oklahoma City Philharmonic, Oklahoma City Repertory Theatre, Oklahoma City University, and Oklahoma Shakespeare in the Park.
Leslie is also active with the Oklahoma Community Theatre Association and works with many community theatres throughout the state of Oklahoma serving in the promotion of excellence in theatre.
Website: www.lesliecurrell.com- Faculty/Staff
- Oklahoma State University - Stillwater
- Theatre
- Assistant Professor of Costume Design
- Theatre
- Assistant Professor of Costume DesignTheatre
Jason Estala (He,Him,His) is the Assistant Professor of Costume Designer at Oklahoma State University. Originally from El Paso Texas, Jason holds a Bachelor's in Theatre Arts from New Mexico State University and a M.F.A. in Costume Design and Technology from the University of Florida. He has worked in a wide array of costuming including opera, dance, film, Special FX, historical recreation, millinery, puppetry as well as marching band and entertainment uniforms and show designs. Jason has worked with many companies and schools including the Brevard Music Center's Janiec Opera Company, Pensacola Opera, Dona Ana Lyrical Opera, The Spoleto Festival, Summer Rep Theatre, NBC, University of West Florida, Kennesaw State, University of Florida, University of California at Riverside, Florida State University and Wardrobe Witchery an opera costume rental company. Jason's work can be found at www.jasonestala.com.
Research Interests:
Costume Design and Technology
Tailoring, Draping and Pattern-making
Fashion History
Millinery
Leather Crafting
Puppetry
Special Effects Makeup
3D PrintingJason Estala (He,Him,His) is the Assistant Professor of Costume Designer at Oklahoma State University. Originally from El Paso Texas, Jason holds a Bachelor's in Theatre Arts from New Mexico State University and a M.F.A. in Costume Design and Technology from the University of Florida. He has worked in a wide array of costuming including opera, dance, film, Special FX, historical recreation, millinery, puppetry as well as marching band and entertainment uniforms and show designs. Jason has worked with many companies and schools including the Brevard Music Center's Janiec Opera Company, Pensacola Opera, Dona Ana Lyrical Opera, The Spoleto Festival, Summer Rep Theatre, NBC, University of West Florida, Kennesaw State, University of Florida, University of California at Riverside, Florida State University and Wardrobe Witchery an opera costume rental company. Jason's work can be found at www.jasonestala.com.
Research Interests:
Costume Design and Technology
Tailoring, Draping and Pattern-making
Fashion History
Millinery
Leather Crafting
Puppetry
Special Effects Makeup
3D Printing- Faculty/Staff
- Oklahoma State University - Stillwater
- Art, music, or design commissions
- Teaching opportunities
- Career advice
- Collaborative projects
- Undergraduate recruitment support
- Undergraduate research supervision
- Speaking engagements
- Mentoring (short-term)
- Mentoring (long-term)
- Industry projects
- English
- Theatre
Fields of Research- Design
- Drama, theatre and performance studies
- Applied theatre
- Design history, theory and criticism
- Performing arts
- Textile and fashion design
- Digital and electronic media art
- Fine arts
- Visual arts
- Assistant Professor
- Theatre
- Assistant ProfessorTheatre
Fabian J. García (He/Him/His) is a lighting designer for theatre, dance, and events, currently operating out of Stillwater. Born in Texas to Mexican immigrant parents, he is proud to be a Mexican American designer who strives to push the boundaries of his work by bringing his heritage and experience to every process. It’s Fabian’s core belief that voice matters when telling a story, and as we grow to respect every voice, we can best embody the spirit of the stories of yesterday, today, and those still to be told.
It’s Fabian’s joy to look at each project through a collaborative lens, emphasizing the teamwork between not only him and his lighting team, but also the creative partnership with directors, music directors, choreographers, and other design staff. In an educational setting, Fabian welcomes young performers and technicians into the creative process, spreading the joy and power of stage lighting through internships, volunteer opportunities, workshops, and mentorship. His work is known throughout the central south region.
Fabian J. García (He/Him/His) is a lighting designer for theatre, dance, and events, currently operating out of Stillwater. Born in Texas to Mexican immigrant parents, he is proud to be a Mexican American designer who strives to push the boundaries of his work by bringing his heritage and experience to every process. It’s Fabian’s core belief that voice matters when telling a story, and as we grow to respect every voice, we can best embody the spirit of the stories of yesterday, today, and those still to be told.
It’s Fabian’s joy to look at each project through a collaborative lens, emphasizing the teamwork between not only him and his lighting team, but also the creative partnership with directors, music directors, choreographers, and other design staff. In an educational setting, Fabian welcomes young performers and technicians into the creative process, spreading the joy and power of stage lighting through internships, volunteer opportunities, workshops, and mentorship. His work is known throughout the central south region.
- Faculty/Staff
- Oklahoma State University - Stillwater
- Art, music, or design commissions
- Collaborative projects
- Technical support
- Industry projects
- English
- Spanish - Latin American
- Theatre
Fields of Research- Leadership
- Performance art
- Design
- Drama, theatre and performance studies
- Assistant Professor of Professional Practice
- Theatre
- Assistant Professor of Professional PracticeTheatre
Marley Giggey is a stage and production manager originally from Virginia. She worked in the DC theatre region for a decade including productions at The John F. Kennedy Center for the Performing Arts, 1st Stage, Studio Theatre, and Signature Theatre. She was the resident stage manager of Synetic Theater, a physical theatre company based in Arlington, Virginia, working on over 30 productions with the company. Additionally, Marley has worked at the Cincinnati Ballet, Heritage Theatre Festival, The Conciliation Project, and New Harmony Theatre. Her work stage managing Ariadne auf Naxos and La Rondine under COVID-19 restrictions was recognized with an Award of Outstanding Achievement and earned a Board Choice Winner designation from the USITT Ohio Valley Region Peggy Ezekiel Awards. She presented her research on unpaid internships in the performing arts at the 2022 USITT national conference in Baltimore, Maryland. Marley is an active member of the USITT Management and Education Commissions, a member of the Association for Theatre in Higher Education, and an Equity Membership Candidate with Actors' Equity Association.
Research Interests:
Professor Giggey received her Master of Fine Arts degree upon completion of her research thesis titled Overworked and Underpaid: How Unpaid Internships are Contributing to Inequality and Undervaluation of Labor in the Performing Arts. Expanding the initial scope and continuing forward in this area of research is a strong interest.Marley Giggey is a stage and production manager originally from Virginia. She worked in the DC theatre region for a decade including productions at The John F. Kennedy Center for the Performing Arts, 1st Stage, Studio Theatre, and Signature Theatre. She was the resident stage manager of Synetic Theater, a physical theatre company based in Arlington, Virginia, working on over 30 productions with the company. Additionally, Marley has worked at the Cincinnati Ballet, Heritage Theatre Festival, The Conciliation Project, and New Harmony Theatre. Her work stage managing Ariadne auf Naxos and La Rondine under COVID-19 restrictions was recognized with an Award of Outstanding Achievement and earned a Board Choice Winner designation from the USITT Ohio Valley Region Peggy Ezekiel Awards. She presented her research on unpaid internships in the performing arts at the 2022 USITT national conference in Baltimore, Maryland. Marley is an active member of the USITT Management and Education Commissions, a member of the Association for Theatre in Higher Education, and an Equity Membership Candidate with Actors' Equity Association.
Research Interests:
Professor Giggey received her Master of Fine Arts degree upon completion of her research thesis titled Overworked and Underpaid: How Unpaid Internships are Contributing to Inequality and Undervaluation of Labor in the Performing Arts. Expanding the initial scope and continuing forward in this area of research is a strong interest.- Faculty/Staff
- Oklahoma State University - Stillwater
- Industry projects
- Collaborative projects
- Inclusion, diversity, equity, and access (IDEA) support
- Teaching opportunities
- Art, music, or design commissions
- Undergraduate recruitment support
- Theatre
Fields of Research- Drama, theatre and performance studies
- Leadership
- Applied theatre
- Performing arts
- Associate Professor, Director of Performance
- Theatre
- Associate Professor, Director of PerformanceTheatre
As an actor, director, and teacher, Joan Korte is always enthusiastic to share her passion for storytelling. As an actor, she loves creating characters grounded in truth, using the words of Shakespeare or emerging playwrights. She has most recently been involved with Fair Assembly Theatre Company, Dallas Texas, Texas Shakespeare Festival, and Theatre Midwest, Des Moines, Iowa. Joan has an affinity for strong women, having played Violet in AUGUST: OSAGE COUNTY, and Queen Eleanor in both THE LION IN WINTER and Shakespeare's KING JOHN.
As a director, Joan is always ready for a challenge. From classics to new works, she strives to create worlds full of complex, multi-faceted characters who are searching for hope and connection. Favorite directing projects include A DOLL'S HOUSE PART 2, DANCING AT LUGHNASA, THE BRIDGES OF MADISON COUNTY, and TARTUFFE.
Currently, Joan is the Director of Performance at Oklahoma State University, supporting and growing a vibrant community of theatre artists.
Research Interests:
Acting, Directing, Performance PedagogyAs an actor, director, and teacher, Joan Korte is always enthusiastic to share her passion for storytelling. As an actor, she loves creating characters grounded in truth, using the words of Shakespeare or emerging playwrights. She has most recently been involved with Fair Assembly Theatre Company, Dallas Texas, Texas Shakespeare Festival, and Theatre Midwest, Des Moines, Iowa. Joan has an affinity for strong women, having played Violet in AUGUST: OSAGE COUNTY, and Queen Eleanor in both THE LION IN WINTER and Shakespeare's KING JOHN.
As a director, Joan is always ready for a challenge. From classics to new works, she strives to create worlds full of complex, multi-faceted characters who are searching for hope and connection. Favorite directing projects include A DOLL'S HOUSE PART 2, DANCING AT LUGHNASA, THE BRIDGES OF MADISON COUNTY, and TARTUFFE.
Currently, Joan is the Director of Performance at Oklahoma State University, supporting and growing a vibrant community of theatre artists.
Research Interests:
Acting, Directing, Performance Pedagogy- Faculty/Staff
- Oklahoma State University - Stillwater
- Undergraduate recruitment support
- Theatre
- Visiting Assistant Professor of Dance
- Theatre
- Visiting Assistant Professor of DanceTheatre
Collaborative Creative Processes, Collaborative Choreography, Non-hierarchical Power StructuresCollaborative Creative Processes, Collaborative Choreography, Non-hierarchical Power Structures- Faculty/Staff
- Oklahoma State University - Stillwater
- Collaborative projects
- Undergraduate research supervision
- Teaching opportunities
- Theatre
Fields of Research- Dance and dance studies
- Education
- Assistant Professor
- Theatre
- Assistant ProfessorTheatre
David Weber is an accomplished actor, professional director, and theatre educator. He is a member of the National Alliance of Acting Teachers, The Michael Chekhov Assosciation, Actors' Equity Association and has an MFA in Acting from California State University Long Beach where he studied acting and acting pedagogy under the direction of Alexandra Billings, Hugh O'Gorman, Ezra LeBank, Dr. Shanti Pillai, and Andrea Caban. He has been recognized by Bert Osborn, critic at AJC as one of the Top Ten Actors in Atlanta, for his work in Terrence McNally's "A Perfect Ganesh." David is currently pursuing MICHA's certificate of completion in the Michael Chekhov technique and his research is in non-trauma based acting pedagogy, playing actions, clown, and Stanislavski's event analysis. Recently, he played Master Ford / Brook in Merry Wives of Windsor at Oklahoma Shakespeare in the Park where he previously played Claudius / Hamlet's Ghost in their production of Hamlet and directed Complete Works of William Shakespeare, Abridged, Revised, Again. He will tour his criticially acclaimed one man Christmas Carol, An Actor's Carol: One clown's Dickensian marathon towards redemption, at the end of November - December.
Research Interests:
Acting, Clown, Performance PedagogyDavid Weber is an accomplished actor, professional director, and theatre educator. He is a member of the National Alliance of Acting Teachers, The Michael Chekhov Assosciation, Actors' Equity Association and has an MFA in Acting from California State University Long Beach where he studied acting and acting pedagogy under the direction of Alexandra Billings, Hugh O'Gorman, Ezra LeBank, Dr. Shanti Pillai, and Andrea Caban. He has been recognized by Bert Osborn, critic at AJC as one of the Top Ten Actors in Atlanta, for his work in Terrence McNally's "A Perfect Ganesh." David is currently pursuing MICHA's certificate of completion in the Michael Chekhov technique and his research is in non-trauma based acting pedagogy, playing actions, clown, and Stanislavski's event analysis. Recently, he played Master Ford / Brook in Merry Wives of Windsor at Oklahoma Shakespeare in the Park where he previously played Claudius / Hamlet's Ghost in their production of Hamlet and directed Complete Works of William Shakespeare, Abridged, Revised, Again. He will tour his criticially acclaimed one man Christmas Carol, An Actor's Carol: One clown's Dickensian marathon towards redemption, at the end of November - December.
Research Interests:
Acting, Clown, Performance Pedagogy- Faculty/Staff
- Oklahoma State University - Stillwater
- Theatre
Department contact
- 405-744-6094
- 121 Seretean Center, Stillwater, Oklahoma, 74078, United States